Arszyn_And_Columbus_Duo-Columbus_Meets_Arszyn-CD-2009-211


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Torrent Hash : 0D070EA0E42E20B5BB7B94771C5417D7B87CC84A
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Torrent Size : 50.16 MB


Arszyn_And_Columbus_Duo-Columbus_Meets_Arszyn-CD-2009-211
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Torrent File Content (12 files)


Arszyn_And_Columbus_Duo-Columbus_Meets_Arszyn-CD-2009-211
     00-arszyn_and_columbus_duo-columbus_meets_arszyn-cd-2009-proof.jpg -
7.86 KB

     00-arszyn_and_columbus_duo-columbus_meets_arszyn-cd-2009.m3u -
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     00-arszyn_and_columbus_duo-columbus_meets_arszyn-cd-2009.nfo -
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     00-arszyn_and_columbus_duo-columbus_meets_arszyn-cd-2009.sfv -
456 bytes

     01-arszyn_and_columbus_duo-boza.mp3 -
9 MB

     02-arszyn_and_columbus_duo-tuszenie.mp3 -
3.84 MB

     03-arszyn_and_columbus_duo-sacred_noise.mp3 -
2.81 MB

     04-arszyn_and_columbus_duo-skanuje_sie_do_snu.mp3 -
6.25 MB

     05-arszyn_and_columbus_duo-varna.mp3 -
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     06-arszyn_and_columbus_duo-trzy_tygodnie_w_drodze.mp3 -
4.98 MB

     07-arszyn_and_columbus_duo-przejscie_podziemne.mp3 -
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     08-arszyn_and_columbus_duo-skanuje_sie_do_snu_(instrumetal).mp3 -
6.18 MB



Description



 Release  :            Arszyn & Columbus Duo - Columbus Meets Arszyn


 Artist      : Arszyn & Columbus Duo
 Album       : Columbus Meets Arszyn
 Genre       : Progressive Rock
 Source      : Retail CD
 Label       : Dead Sailor
 Cat. Number :
 URL         : http://www.myspace.com/columbusduo
 Street Date : 2009-05-00
 Rip Date    : 2009-05-09
 Encoder     : LAME3.97 / -V2 --vbr-new
 Quality     : 214kbps    44100Hz    Joint Stereo
 Tracks      : 8
 Time        : 32:41 min
 Size        : 52.58 MB



     01  Boza                                                     5:44
     02  Tuszenie                                                 2:49
     03  Sacred Noise                                             1:37
     04  Skanuje Sie Do Snu                                       4:02
     05  Varna                                                    3:41
     06  Trzy Tygodnie W Drodze                                   3:36
     07  Przejscie Podziemne                                      7:13
     08  Skanuje Sie Do Snu (Instrumetal)                         3:59



     The history of the band, that is a long and slow evolution rather than a
     succession of explosions, starts in 1991, the year in which his members
     formed THING. At the beginning, listening to the bands like Sonic Youth and
     The Jesus Lizard, they were in the vanguard of Polish noise. THING played
     dozens of concerts and recorded several demo-tapes but that was not before
     1997 that their music was officially released by Nikt Nic Nie Wie. The
     album Rudder displayed the band’s understanding of noise frequencies,
     embodied in thrillingly articulate sounds. Live performances with the bands
     like Surrogat, Spokój, Guapo, Couch, Melt Banana and Ewa Braun confirmed
     the evolution of THING towards more precise and minimal forms, symbolically
     represented by the line-up reduction from quintet to trio. Rudder was
     followed by Killwater, recorded in 1999 and released independently the same
     year. The album saw THING’s noise arsenal expanding further: its blazing
     sonic wig-outs recall The Dazzling Killmen but some fragments mark the new
     way of the band.       In the end of 1999 THING turned into COLUMBUS
     ENSEMBLE, project that reveal the interest of its members for non-linear
     textures and dynamics. COLUMBUS ENSEMBLE had already revealed their
     austerely minimalist soundscape playing live with Couch and Ewa Braun, when
     the former THING’s guitarist completed the line-up, this time playing the
     trumpet and signaling the new change in focus. Again as a quartet, the band
     started to forge a distinct and wildly experimental fusion of jazz, noise
     and minimal, acclaimed by the German and Danish public during the tour in
     2001. The same year saw the first COLUMBUS’ album, issued on the Dead
     Sailor label. This “debut” contains exclusively instrumental development of
     the band’s experiences throughout all the decade. The record plays to every
     nuance that COLUMBUS has exhibited these last years and proposes a mélange
     of different sonic concepts that the critics compare with the new Chicago
     scene. But that was not the end of the band’s minimalist journey: since
     2002 COLUMBUS has played just as a brothers’ duo. The sound has become a
     little bit more austere, two guitars are sometimes accompanied by loops and
     a voice. More melodic, COLUMBUS DUO ventures into the areas of alt-country,
     ambient and avant-garde cameral music, and the new pieces propose the
     intimacy that seems suited for the post-industrial sensibility.







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